Issue 06
poetry
“Izzat”
by Megha Nayar
Izzat
sits on the tip of a woman’s tongue,
polices the terrain of her mouth,
warns the tongue not to be long, lewd, loud.
Izzat does not, however, sit on the tip of a man’s tongue.
When men, to feel good about themselves,
in jest, call their brothers
fuckers of sisters and mothers,
izzat goes deaf in the ears
and takes a nap.
Izzat
hangs from a woman’s bosom,
rests in the space between her breasts,
reminds her to keep her chest covered, her head lowered.
Izzat does not, however, rest in a man’s eyes.
When men, to feel good about themselves
train their appraising sights
on a pair of plums / melons / mangoes ripe,
izzat goes momentarily blind
and takes a nap.
Izzat
lies curled as a snake in a woman’s hair,
is afraid to be left bare,
says her naked mane will bring shame.
Izzat does not, however, lie in the palms of men.
When a man, to feel good about himself
grabs a woman by her long, swinging braid,
his grubby hands tainting her name,
izzat says the woman is to blame
and takes a nap.
Izzat
stands guard between a woman’s legs,
a fortress protecting the hallowed space
between her thighs and waist.
Izzat does not, however, teach men to keep their hands in check.
So, when a man, to feel good about himself,
breaks the vault of a woman’s pride, and leaves her defiled,
izzat is quick to grant him anticipatory bail
while the woman is convicted; silence prevails,
and izzat goes back to taking a nap.
*
Megha Nayar is a communications consultant and fiction writer from India. She teaches English and French for a living and writes stories to remain sane. She was longlisted for the Commonwealth Short Story Prize 2020. One of her stories was showcased at India's prestigious Kala Ghoda Arts Festival 2021. She has been a mentee-in-training on the British Council's Write Beyond Borders program of 2021. Her work has appeared in several lit mags, and she is now working on her first collection of stories. She tweets at @meghasnatter.
Adele Quartley Brown is an NYC-based artist whose photographs have received international recognition. Adele is interested in illuminating the space between actual and alternative realities. She photographs commonplace scenes featuring curious elements to engage the viewer in a dialectic. Her information-gathering experiences as a nonfiction writer, licensed investigator, and humanitarian sector advisor inform her art.